Friday, 16 August 2013

Vintage Find: Zeiss Ikon Contaflex IV

Last weekend I went gallivanting around the charming market town of Dorking with Tash. She had been bangin' on about how amazing it was and so I asked her to finally take me, and so she did. Surprise, surprise- it was amazing! A total antiquarian's dream. I even found the ring of my dreams! Of course it was way over my budget, but I did find something else that I loved and it was a total bargain considering its good shape. Lo, and behold- My Zeiss Ikon Contaflex IV! Just so you know, I'm not a photography expert whatsoever. I collect these vintage cameras because they are beautiful pieces, and when they do work- the photos are priceless. WHAT Instagram?? ^^

I took this photo while waiting at the Dorking train station. I know. Classy. 
Launched in 1956, the Contaflex IV was part of a long line of 35mm SLR cameras produced by Zeiss Ikon. The range is one of the earliest SLR cameras equipped with leaf shutters. Unlike I and II, models III and IV were given interchangeable lenses and at the time you could switch from 35mm to 115mm which was regarded as sufficient. I've only started playing with it this week, and thankfully the camera came with a manual. Granted it is a III manual but they are quite similar so it still comes in handy. It also came with a snazzy leather case, which is about the toughest camera case I have ever felt. The leather feels like it can take bullets. 




As with most vintage cameras from the 50s and 60s, this one is compact but heavy. The body is made with solid brass and steel and all the signs of great German workmanship. Apparently most sellers pawn these off for quite cheap because most think it's broken. I thought that the first time I held it, but the gentleman who owned the camera shop showed me that actually, the viewfinder mirror flips up the moment you release the shutter. you get the view again after winding it up, ready for the next shot. Cool huh?




Tessar

I found this very helpful article written by a Karen Nakamura for Photoethnography where she talks about hers, so if you want to read more specs, click here to read her full account. Like with my Minolta, the proof will be in the pudding. Remember, I took two cameras with me to Paris a couple of years back just in case the Minolta didn't work, I had a digital back up. This Contaflex feels good, and so as soon as I've taken some snaps, I'll post some pictures if they come out great!

Isn't she a beaut?

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